Withdrawn from use: silence, listening and undoing

    Research output: Contribution to journalArticlepeer-review

    181 Downloads (Pure)


    Steven Connor’s book, Giving Way, begins with a list of unappreciated qualities, the first of which is a capitalised, ‘SILENCE’. Shyness, reserve, withdrawal and holding back accompany silence in a long sentence of qualities, which ‘tend to be marked with disapproval, sympathy or revulsion’, and some of which are, as Connor notes, ‘characterized as a mental disorder, in the form of social anxiety or social phobia’ (Connor 2019: 1). Silence is often seen as a lack of agency, an anti-social and suspect unwillingness to participate. But as a sound artist working with field-recording, I am aware that silence, withdrawal and holding back can also be a form or method of practice and participation. Since 2004, my creative practice has included a series of physical and imagined silent releases. This article draws on these works and their documentation to explore silence as a potential, shared and communal space; an immediate composition that invites both listener and non-listener into its congress. Listening in on the conversation of telephone pauses and the closed paragraphs of library shelves, silence can be heard undoing purposeful agency, shyly engaging us in the anti-social practice of inaction, so that we might not participate, together.
    Original languageEnglish
    Pages (from-to)166-178
    JournalOrganised Sound
    Issue number2
    Publication statusPublished - 3 Nov 2022


    Dive into the research topics of 'Withdrawn from use: silence, listening and undoing'. Together they form a unique fingerprint.

    Cite this