Abstract
Raman Mundair's poetry interrogates the cultural and political tensions between subject and object, and powerfully contributes to the canon of transformative Black British writing in the early twenty-first century. Her collections confront scenes of racism and interrogate the possibility of a genuinely multicultural Britain, as she grapples with some of the ugly complexities of the racism she has faced as a first-generation South Asian migrant to the UK, particularly through the signifier of skin as a visual benchmark against which self-identity is constructed. Raman Mundair tells the stories of a new generation of Britons, for whom skin and accent are less significant than intellect and voice, and for whom the constraints of history will eventually become a distant memory.
| Original language | English |
|---|---|
| Pages (from-to) | 31-43 |
| Journal | The Yearbook of English Studies |
| Volume | 51 |
| DOIs | |
| Publication status | Published - 16 Nov 2021 |
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