The evolution of English collecting: receptions of Italian art in the Tudor and Stuart periods

E Chaney

    Research output: Book/ReportBookpeer-review


    This fully illustrated volume consists of twelve essays, based on papers read at a conference I organised at Southampton Solent University. It was inspired by the direction that my own research had taken since publishing The Grand Tour and the Great Rebellion and The Evolution of the Grand Tour (which I had revised for the second, paperback edition in 2000), and by a growing awareness that there was no adequate publication available for students studying our 'Travel, Taste and Collecting' unit. The Evolution of English Collecting contains chapters by a range of international scholars, including Charles Avery, Christopher Baker, Karen Hearn, Jane Roberts and Richard Williams. The book is prefaced by my 124 page introduction, designed to provide a broader context of the origins of European collecting, along with a new account of the evolution of early-modern British fascination with Italian art and a comprehensive bibliography of primary and secondary sources. The book was favourably reviewed in the Burlington Magazine, The Art Newspaper, Renaissance Quarterly, Print Quarterly and the Journal of the History of Collections. Blackwell Publishing subsequently asked me to write a 30 page introduction and revised bibliography for a new edition of John Hale's England and the Italian Renaissance (Oxford, 2005).
    Original languageEnglish
    Place of PublicationNew Haven
    PublisherYale University Press
    Number of pages484
    ISBN (Print)9780300102246
    Publication statusPublished - 11 Jan 2004

    Publication series

    NameStudies in British Art


    Dive into the research topics of 'The evolution of English collecting: receptions of Italian art in the Tudor and Stuart periods'. Together they form a unique fingerprint.

    Cite this