This chapter considers the ideological and material struggle over art and architecture from the outbreak of the civil war to the Restoration. Loss of patrons and the removal of collections are linked to an exodus of artists and a depressed art market, although the presence of connoisseurs and virtuosi among the supporters of parliament is also noted. The widespread destruction of ‘idolatrous’ artworks and the many architectural casualties of war are seen to be counterbalanced by the appearance of new enthusiasms such as the growth of illustrated book production and uncompromising classicism in architecture. The struggle between king and parliament is also detected within art itself, with royalist imagery achieving even greater potency after the regicide.
|Title of host publication||The Oxford Handbook of the English Revolution|
|Editors||Michael J. Braddick|
|Place of Publication||Oxford|
|Publisher||Oxford University Press|
|Number of pages||16|
|Publication status||Published - 2015|