Abstract
Researching Live Music offers an important contribution to the emergent field of live music studies.
Featuring paradigmatic case studies, this book is split into four parts, first addressing perspectives associated with production, then promotion and consumption, and finally policy. The contributors to the book draw on a range of methodological and theoretical positions to provide a critical resource that casts new light on live music processes and shows how live music events have become central to raising and discussing broader social and cultural issues. Their case studies expand our knowledge of how live music events work and extend beyond the familiar contexts of the United States and United Kingdom to include examples drawn from Argentina, Australia, France, Jamaica, Japan, New Zealand, Switzerland, and Poland.
Researching Live Music is the first comprehensive review of the different ways in which live music can be studied as an interdisciplinary field, including innovative approaches to the study of historic and contemporary live music events. It represents a crucial reading for professionals, students, and researchers working in all aspects of live music.
Featuring paradigmatic case studies, this book is split into four parts, first addressing perspectives associated with production, then promotion and consumption, and finally policy. The contributors to the book draw on a range of methodological and theoretical positions to provide a critical resource that casts new light on live music processes and shows how live music events have become central to raising and discussing broader social and cultural issues. Their case studies expand our knowledge of how live music events work and extend beyond the familiar contexts of the United States and United Kingdom to include examples drawn from Argentina, Australia, France, Jamaica, Japan, New Zealand, Switzerland, and Poland.
Researching Live Music is the first comprehensive review of the different ways in which live music can be studied as an interdisciplinary field, including innovative approaches to the study of historic and contemporary live music events. It represents a crucial reading for professionals, students, and researchers working in all aspects of live music.
| Original language | English |
|---|---|
| Place of Publication | London |
| Publisher | Routledge |
| Number of pages | 272 |
| ISBN (Electronic) | 9780367405038 |
| ISBN (Print) | 9780367405007 |
| DOIs | |
| Publication status | Published - 18 Nov 2021 |
Fingerprint
Dive into the research topics of 'Researching Live Music: Gigs, Tours, Concerts and Festivals'. Together they form a unique fingerprint.-
Web3 and the music festival sector
Anderton, C., 26 Jun 2023.Research output: Published contribution to conference › Paper
File -
Music Management, Marketing and PR
Anderton, C., Hannam, J. & Hopkins, J., 1 Mar 2022, London: SAGE Publications Ltd. 240 p.Research output: Book/Report › Book › peer-review
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Disruption and Continuity: Covid-19, Live Music, and Cyclic Sociality
Anderton, C., 18 Nov 2021, Researching Live Music: Gigs, Tours, Concerts and Festivals. Anderton, C. & Pisfil, S. (eds.). Routledge, p. 68-83 17 p.Research output: Chapter in Book/Report/Published conference proceeding › Chapter › peer-review
Open AccessFile475 Downloads (Pure) -
Live Music Studies in Perspective
Anderton, C. & Pisfil, S., 18 Nov 2021, Researching Live Music: Gigs, Tours, Concerts and Festivals. Anderton, C. & Pisfil, S. (eds.). Routledge, p. 1-16Research output: Chapter in Book/Report/Published conference proceeding › Chapter
Activities
- 2 Oral presentation
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Music Festival Experience: Cyclic Place and Cyclic Sociality
Anderton, C. (Speaker)
Jul 2022Activity: Invited talk or paper presentation › Oral presentation
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Web3 and the music festival sector
Anderton, C. (Speaker)
26 Jun 2023 → 30 Jun 2023Activity: Invited talk or paper presentation › Oral presentation
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