Abstract
The contemporary music industries offer exciting new opportunities, with musicians able to control their music and careers more than ever before. Yet, the management, marketing, and business of music in the digital era is often poorly understood and weakly strategized.
This book draws on well-informed research to critically examine the relationships that are crucial to the artists, managers, marketers, and PRs working in a highly competitive marketplace.
It connects academic theory with professional practice, and encourages the development of connections and conversations within the broad music industry ecology. That ecology includes the recording, publishing, and live music sectors, in addition to online streaming, gaming, data management, and fan relationships.
Other key aspects of the music industries, such as copyright, contracts, funding, diversity, and well-being are also discussed in detail.
This book is an essential text for all those who aspire to be the future of the music industries.
This book draws on well-informed research to critically examine the relationships that are crucial to the artists, managers, marketers, and PRs working in a highly competitive marketplace.
It connects academic theory with professional practice, and encourages the development of connections and conversations within the broad music industry ecology. That ecology includes the recording, publishing, and live music sectors, in addition to online streaming, gaming, data management, and fan relationships.
Other key aspects of the music industries, such as copyright, contracts, funding, diversity, and well-being are also discussed in detail.
This book is an essential text for all those who aspire to be the future of the music industries.
| Original language | English |
|---|---|
| Place of Publication | London |
| Publisher | SAGE Publications Ltd |
| Number of pages | 240 |
| ISBN (Print) | 9781526497390 |
| Publication status | Published - 1 Mar 2022 |
Fingerprint
Dive into the research topics of 'Music Management, Marketing and PR'. Together they form a unique fingerprint.-
Web3 and the music festival sector
Anderton, C., 26 Jun 2023.Research output: Published contribution to conference › Paper
File -
Researching Live Music: Gigs, Tours, Concerts and Festivals
Anderton, C. (Editor) & Pisfil, S. (Editor), 18 Nov 2021, London: Routledge. 272 p.Research output: Book/Report › Book › peer-review
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Music Festivals in the UK: Beyond the Carnivalesque
Anderton, C., 2 Aug 2018, New York: Routledge. 210 p. (Ashgate Popular and Folk Music Series)Research output: Book/Report › Book › peer-review
Activities
- 1 Oral presentation
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Web3 and the music festival sector
Anderton, C. (Speaker)
26 Jun 2023 → 30 Jun 2023Activity: Invited talk or paper presentation › Oral presentation
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