Music Festival Sponsorship: Between Commerce and Carnival

Research output: Contribution to journalArticle

Abstract

This paper examines the cultural heritage of outdoor rock and pop music festivals in Britain since the mid-1960s, and relates it to developments in, and critiques of, corporate sponsorship in the contemporary music festival sector. Findings – Outdoor rock and pop music festivals were dominated by the ideologies of a ‘countercultural carnivalesque’ from the late 1960s until the mid-1990s. In the 1990s, changes in legislation began a process of professionalization, corporatization, and a reliance on brand sponsorships. Two broad trajectories are identified within the contemporary sector: one is strongly rooted in the heritage of the countercultural carnivalesque, while the other is more overtly commercial.
Original languageEnglish
Pages (from-to)145-158
JournalArts Marketing: an International Journal
Volume1
Issue number2
DOIs
Publication statusPublished - 2011

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Music Festival
Commerce
Carnival
Sponsorship
Pop Music
Rock
1960s
1990s
Trajectory
Cultural Heritage
Contemporary music
Professionalization
Corporate Sponsorship
Heritage
Legislation
Ideology
Reliance

Cite this

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Music Festival Sponsorship: Between Commerce and Carnival. / Anderton, Christopher.

In: Arts Marketing: an International Journal, Vol. 1, No. 2, 2011, p. 145-158.

Research output: Contribution to journalArticle

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