Let the right one in and the wrong one go: Adapting the Paedophile in Let the Right One In

Darren Kerr

    Research output: Chapter in Book/Report/Published conference proceedingChapterpeer-review

    Abstract

    This is the first critical anthology to offer extended analysis of the representation of sexual perversion on screen. Interrogating the recent shift towards the mainstream in the cinematic representation of previously marginalised sexual practices, Tainted Love challenges the discourses and debates around sexual taboo, moral panics, degeneracy, deviance and disease, which present those who enact such sexualities as modern folk devils.
    This timely collection brings together leading scholars who draw on a variety of critical approaches including adaptation, performance, cultural studies, queer theory, feminism and philosophy to examine screen representations of controversial sexualities from the weird and wonderful to the debased and debauched. Chapters explore provocative performances of hysteria and sexual obsession, `everyday' perversion in neoliberal culture, the radical potential of sadomasochism, adolescent sexuality in the films of Larry Clark, intergenerational sex and incestuous relations in French cinema, sexual obsession in gay cinema, the straightness of necrophilia, the presentation of the paedophile, Swedish Erotica's `good sex' and re-imagining the Marquis de Sade from film to slash fiction. In order to move past binary distinctions of good and bad, normal and abnormal, moral and immoral, Tainted Love seeks to critically interrogate perverse sexualities and sexual perversion on screen.
    Original languageEnglish
    Title of host publicationTainted Love
    Subtitle of host publicationScreening Sexual Perversions
    EditorsDarren Kerr, Donna Peberdy
    Place of PublicationLondon
    PublisherI.B.Tauris
    ISBN (Electronic)9781786722188
    ISBN (Print)9781780761961
    Publication statusPublished - 30 Jun 2017

    Fingerprint

    Dive into the research topics of 'Let the right one in and the wrong one go: Adapting the Paedophile in Let the Right One In'. Together they form a unique fingerprint.

    Cite this