‘From the Physical to the Digital and Back: Fashion Exhibitions in the Digital Age’

Research output: Contribution to journalArticle

Abstract

The discipline of curating fashion has experienced a cultural turn in the last decades. What were controversial approaches are now recognized as pioneering and significant in having encouraged debates and opened the discipline through rethinking existing paradigms. This contribution analyses the challenges and criticisms surrounding fashion displays, with the aim to address the centrality of interpretation and performativity in relation to key fashion exhibitions. The article explores ‘the power of display’ (Staniszewski 1998; 2000) through mediums and spaces, whether physical, digital or both. Within museum studies, the focus on the visitors’ experience and on the narrative has been identified as a key feature of a ‘new museology’ (Vergo 1989; Hein 2000; Henning 2006), which ultimately leads us to question the purposes of museum and gallery displays. With references to museum studies, fashion curation and philosophy, and drawing from insightful conversations with fashion curators, the article examines the exhibition’s potential to provide a context for visual and material experiences, as well as for a new understanding and articulation of knowledge. The contribution embraces Foucault’s reflection on heterotopia (1986 [1967]; 1992 [1966]), arguing that the content of the museum as a space of difference is the interpretation itself. Reflecting on exhibition design as a medium in its own right (Celant 1996a), the article highlights performativity as a fundamental feature of the exhibits, of the installation and, more broadly, of the museum space.
Original languageEnglish
Pages (from-to)225-248
Number of pages24
JournalInternational Journal of Fashion Studies
Volume3
Issue number2
Publication statusPublished - 2016

Fingerprint

Digital Age
Physical
Museum Studies
Performativity
Visitor Experience
Exhibition Design
Philosophy
Centrality
Curating
Heterotopia
Museology
Criticism
Paradigm
Articulation
Cultural Turn
Curation
Fundamental

Cite this

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title = "‘From the Physical to the Digital and Back: Fashion Exhibitions in the Digital Age’",
abstract = "The discipline of curating fashion has experienced a cultural turn in the last decades. What were controversial approaches are now recognized as pioneering and significant in having encouraged debates and opened the discipline through rethinking existing paradigms. This contribution analyses the challenges and criticisms surrounding fashion displays, with the aim to address the centrality of interpretation and performativity in relation to key fashion exhibitions. The article explores ‘the power of display’ (Staniszewski 1998; 2000) through mediums and spaces, whether physical, digital or both. Within museum studies, the focus on the visitors’ experience and on the narrative has been identified as a key feature of a ‘new museology’ (Vergo 1989; Hein 2000; Henning 2006), which ultimately leads us to question the purposes of museum and gallery displays. With references to museum studies, fashion curation and philosophy, and drawing from insightful conversations with fashion curators, the article examines the exhibition’s potential to provide a context for visual and material experiences, as well as for a new understanding and articulation of knowledge. The contribution embraces Foucault’s reflection on heterotopia (1986 [1967]; 1992 [1966]), arguing that the content of the museum as a space of difference is the interpretation itself. Reflecting on exhibition design as a medium in its own right (Celant 1996a), the article highlights performativity as a fundamental feature of the exhibits, of the installation and, more broadly, of the museum space.",
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