Abstract
Museum crowdsourcing projects commonly extend the traditional role of the curator. This paper explores a range of existing crowdsourced projects and evaluates the usefulness of theories of the commons to productively subvert the curatorial role, developing truly democratised, co-created digital cultural narratives.
Original language | English |
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Pages (from-to) | 49-68 |
Number of pages | 20 |
Journal | International Journal of the Inclusive Museum |
Volume | 10 |
Issue number | 2 |
DOIs | |
Publication status | Published - 2017 |