Abstract
This essay places Yoneda's photographic work and exhibited artefacts 'Scene' within a critical framework examining the art historical notion of 'the sublime', and how writers such as W G Sebald have used photographs as vehicles to touch on our collective amnesia of trauma and history.
| Original language | English |
|---|---|
| Title of host publication | Art In The Age Of Terrorism |
| Editors | Graham Coulter-Smith |
| Place of Publication | London |
| Publisher | Paul Holberton Publishing |
| Chapter | 14 |
| Pages | 196 – 202 |
| Number of pages | 6 |
| ISBN (Print) | 1903470412 |
| Publication status | Published - 1 Jan 2005 |