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Author

  • Chris Anderton

Book Review: Half a Million Strong: Crowds and Power from Woodstock to Coachella, by Gina Arnold (University of Iowa Press).

Anderton, C., 2020, (Accepted/In press) Journal of Popular Music Studies.

Research output: Contribution to specialist publicationEditorial

Book Review: Henry Cow: The World is a Problem, by Benjamin Piekut, Duke University Press

Anderton, C., 23 Jan 2020, (Accepted/In press) IASPM Journal.

Research output: Contribution to specialist publicationEditorial

Clutching at straws? Progressive Rock Revivals of the 1980s and 1990s

Anderton, C., 5 May 2019, (Submitted) Oxford Handbook of Progressive Rock. Hill, S. & Moore, A. (eds.). Oxford University Press

Research output: Chapter in Book/Report/Published conference proceedingChapter

Disruption and Continuity: Covid-19, Live Music, and Cyclic Sociality

Anderton, C., 2020, (Accepted/In press) Researching Live Music: Gigs, Tours, Concerts and Festivals. Routledge

Research output: Chapter in Book/Report/Published conference proceedingChapter

Festival Spaces / Festival Places: Ephemerality, Continuity and a Sense of Place

Anderton, C., Dec 2018, Burning Man and Transformational Event Cultures ​Symposium.

Research output: Chapter in Book/Report/Published conference proceedingConference contribution

Open Access

Fire in Harmony: the 1980s UK British progressive rock revival

Anderton, C., 2016, Prog Rock in Europe. Overview of a Persistent Musical Style. Gonin, P. (ed.). Dijon: Editions Universitaires de Dijon, p. 151-164

Research output: Chapter in Book/Report/Published conference proceedingChapter

Introduction to the Special Issue on Progressive Rock

Anderton, C., 5 Aug 2019, In : Rock Music Studies. 7, 1, p. 1-7 7 p.

Research output: Contribution to journalArticle

Just For the Fun of it? Contemporary Strategies for Making, Distributing and Gifting Music

Anderton, C., Mar 2019, Contemporary Popular Music Studies: Proceedings of the International Association for the Study of Popular Music 2017. Medic, I. & Dumnic, M. (eds.). Springer Berlin, p. 269-277

Research output: Chapter in Book/Report/Published conference proceedingConference contribution

Media Narratives in Popular Music (under contract)

Anderton, C. (ed.) & James, M. (ed.), 2019, (In preparation) Bloomsbury Academic.

Research output: Book/ReportAnthology

Music Festival Capitalism

Anderton, C., Jun 2020, (Accepted/In press) Oxford Handbook of Global Popular Music . Kreuger Bridge, S. (ed.). Oxford University Press

Research output: Chapter in Book/Report/Published conference proceedingChapter

Music festivals, space and place

Anderton, C., Jun 2018, (Submitted) The Bloomsbury Handbook of Popular Music and Place. Stahl, G. & Percival, M. (eds.). UK: Bloomsbury Publishing

Research output: Chapter in Book/Report/Published conference proceedingChapter

Music Festivals in the UK

Anderton, C., 2019, New York and London: Routledge. 197 p.

Research output: Book/ReportBook

Music Festival Sponsorship: Between Commerce and Carnival

Anderton, C., 2011, In : Arts Marketing: an International Journal. 1, 2, p. 145-158

Research output: Contribution to journalArticle

Open Access

Musikfestivals als >>zyklische Orte<<: Fairport’s Cropredy Convention

Translated title of the contribution: Music Festivals as 'Cyclic Places': Fairport's Cropredy ConventionAnderton, C., 2016, Draußen: Zum neuen Naturbezug in der Popkultur der Gegenwart. Springer, J. & Doren, T. (eds.). Transcript-Verlag, p. 119-138

Research output: Chapter in Book/Report/Published conference proceedingChapter

Portfolio careers

Anderton, C., 2013, The 360 Deal.

Research output: Contribution to specialist publicationEditorial

Researching Live Music: Gigs, Tours, Concerts and Festivals (under contract)

Anderton, C. (ed.) & Pisfil, S. (ed.), 2019, (In preparation) Routledge.

Research output: Book/ReportAnthology

Risky Business: The Volatility and Failure of Outdoor Music Festivals in the UK

Anderton, C., Feb 2019, 8 p. livemusicexchange.org : Live Music Exchange.

Research output: Other contribution

Open Access

Sonic artefacts: ‘record collecting’ in the digital age

Anderton, C., Nov 2016, In : IASPM Journal. 6, 1, p. 85-113

Research output: Contribution to journalArticle

Open Access

The absent presence of progressive rock in the British music press, 1968-1974

Anderton, C. & Atton, C., 7 Aug 2019, In : Rock Music Studies. 7, 1, p. 8-22

Research output: Contribution to journalArticle

Understanding the Music Industries

Anderton, C., Dubber, A. & James, M., 2013, SAGE Publications Ltd.

Research output: Book/ReportBook

Youth, Music and Festivals

Anderton, C., Jul 2018, (Submitted) Bloomsbury Handbook of Popular Music and Youth Culture. Bennett, A. (ed.). Bloomsbury Publishing

Research output: Chapter in Book/Report/Published conference proceedingChapter

‘“Exiles in Madison Square Garden”: Critical Reception and Journalistic Narratives of Progressive Rock in Melody Maker Magazine, 1971–1976

Anderton, C., 2020, (Accepted/In press) Media Narratives in Popular Music. Anderton, C. & James, M. (eds.). Bloomsbury Academic

Research output: Chapter in Book/Report/Published conference proceedingChapter