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Author

  • Chris Anderton

Book Review: Half a Million Strong: Crowds and Power from Woodstock to Coachella, by Gina Arnold (University of Iowa Press).

Anderton, C., 2020, (Accepted/In press) Journal of Popular Music Studies.

Research output: Contribution to specialist publicationEditorial

Book Review: Henry Cow: The World is a Problem, by Benjamin Piekut, Duke University Press

Anderton, C., 23 Jan 2020, (Accepted/In press) IASPM Journal.

Research output: Contribution to specialist publicationEditorial

Branding, sponsorship and the music festival

Anderton, C., 2015, The Pop Festival: History, Music, Media, Culture. McKay, G. (ed.). New York and London: Bloomsbury Publishing, p. 199-212

Research output: Chapter in Book/Report/Published conference proceedingChapter

Disruption and Continuity: Covid-19, Live Music, and Cyclic Sociality

Anderton, C., 2020, (Accepted/In press) Researching Live Music: Gigs, Tours, Concerts and Festivals. Routledge

Research output: Chapter in Book/Report/Published conference proceedingChapter

Festival Spaces / Festival Places: Ephemerality, Continuity and a Sense of Place

Anderton, C., Dec 2018, Burning Man and Transformational Event Cultures ​Symposium.

Research output: Chapter in Book/Report/Published conference proceedingConference contribution

Open Access

Fire in Harmony: the 1980s UK British progressive rock revival

Anderton, C., 2016, Prog Rock in Europe. Overview of a Persistent Musical Style. Gonin, P. (ed.). Dijon: Editions Universitaires de Dijon, p. 151-164

Research output: Chapter in Book/Report/Published conference proceedingChapter

Music Festival Capitalism

Anderton, C., Jun 2020, (Accepted/In press) Oxford Handbook of Global Popular Music . Kreuger Bridge, S. (ed.). Oxford University Press

Research output: Chapter in Book/Report/Published conference proceedingChapter

Music festivals, space and place

Anderton, C., Jun 2018, (Submitted) The Bloomsbury Handbook of Popular Music and Place. Stahl, G. & Percival, M. (eds.). UK: Bloomsbury Publishing

Research output: Chapter in Book/Report/Published conference proceedingChapter

Music Festival Sponsorship: Between Commerce and Carnival

Anderton, C., 2011, In : Arts Marketing: an International Journal. 1, 2, p. 145-158

Research output: Contribution to journalArticle

Open Access

Musikfestivals als >>zyklische Orte<<: Fairport’s Cropredy Convention

Translated title of the contribution: Music Festivals as 'Cyclic Places': Fairport's Cropredy ConventionAnderton, C., 2016, Draußen: Zum neuen Naturbezug in der Popkultur der Gegenwart. Springer, J. & Doren, T. (eds.). Transcript-Verlag, p. 119-138

Research output: Chapter in Book/Report/Published conference proceedingChapter

Portfolio careers

Anderton, C., 2013, The 360 Deal.

Research output: Contribution to specialist publicationEditorial

Sonic artefacts: ‘record collecting’ in the digital age

Anderton, C., Nov 2016, In : IASPM Journal. 6, 1, p. 85-113

Research output: Contribution to journalArticle

Open Access

Understanding the Music Industries

Anderton, C., Dubber, A. & James, M., 2013, SAGE Publications Ltd.

Research output: Book/ReportBook

Youth, Music and Festivals

Anderton, C., Jul 2018, (Submitted) Bloomsbury Handbook of Popular Music and Youth Culture. Bennett, A. (ed.). Bloomsbury Publishing

Research output: Chapter in Book/Report/Published conference proceedingChapter

‘“Exiles in Madison Square Garden”: Critical Reception and Journalistic Narratives of Progressive Rock in Melody Maker Magazine, 1971–1976

Anderton, C., 2020, (Accepted/In press) Media Narratives in Popular Music. Anderton, C. & James, M. (eds.). Bloomsbury Academic

Research output: Chapter in Book/Report/Published conference proceedingChapter