Research output per year
Research output per year
Roy has over 20 years experience of teaching in higher education with specialisms in communications, media production, producing and project development. Prior to commencing a career in education, Roy worked in the UK film and television industry for 15 years as a production technician for a range of broadcast, commercial and corporate clients. His industry experience includes sound recording, camera operating, lighting, vision supervision, post-production and production management. He also ran a small production company producing educational and corporate productions from the late 80s while studying for a degree as a mature student. Having gained a BA (Hons) in Anthropology and Communications at Goldsmiths College, Roy made a sideways leap into education taking a position at the London College of Communication first, followed by a position at Chichester University. Fascinated by Chinese culture and traditions Roy took some time out to live abroad and during this time he taught drama/ESL at Hebei United University for two years, before transferring to Zhejiang University of Media and Communications to teach Communications Theory and Lifestyle Journalism. He originally travelled to China in order to pursue interests in learning Taiji/Qigong and has even learnt a few words of Chinese.
Roy’s interests include documentary filmmaking, archive and heritage, oral history and community arts. Commissioned by a local film festival he produced a documentary, Tommy Stories (2010), exploring oral histories that recounted the making of the Ken Russell film Tommy (1975), a project he is still working on as he seeks to recover a lost film shot by students of the making of Tommy in Portsmouth. In collaboration with artist Jez Stevens Roy delivered a Heritage Lottery Funded project, No Diving (2007), a partnership with Wessex Film and Sound Archive that sought to explore cultural memories of the 1930s Hilsea Lido in Portsmouth. Working on a commission for Screen South, he documented the annual ‘burn’ by a traditional charcoal maker in Soul of Fire (2006) for Audio Visual Group for Museum and Archives. Roy has also produced and directed short dramas including Golf Club (2016), Abaddon File (2009), and The World Turned Upside Down (1991). He continues to produce corporate videos for local clients and he also builds websites for friends and associates, has developed a specialism in social media marketing and search engine optimisation. Roy is also a founder and director of the DVMISSION 48-Hour Film Challenge, an annual film-making event which is now in its 18th year that sets a challenge to local filmmakers to see if they can make a two-minute film in 48 hours. He is also director of the Making Waves Film Festival, based in Portsmouth, and continues to produce audio-visual arts under the name one000plateaus.
Roy’s other area of interest is in the field of experimental media, theatre and performance. He started making experimental films during the early 1980s while working with industrial noise artists Test Department. Then in the late 1980s he developed a technique for the production of multi-layering sampled imagery which was regularly exhibited at Europe's largest video installation at the Fridge Night Club in Brixton, London. In the 1990s he was co-director of the live art platform The Plunge Club; initiating large-scale art installations in unusual locations such as Nunehead Cemetery, South London. He founded the arts collective Kino-Kult in 2003 and set about curating open platform AV 'shares', engaging in architectural projection bombing and delivering live performances at The Sixty Second Film Festival. He was commissioned to produce Wedding Story (2015) by Hampshire Cultural Trust, a 20-minute audio-visual narrative projected onto the Willis Museum in Basingstoke as part of the city’s Day of the Dead carnival. Roy continues to be an art provocateur, staging digital potlatches in locations on the south coast. Recent events include Dark or Darker Shivering or Not (November 2016) and This is not boring (July 2016) - both were open platforms for audiovisual performances, live electronica, spoken word, site-specific installations, live artists and theatre makers. Roy has also worked as a professional VJ at locations as diverse as Trondheim in Norway, Tangshan in Hebei and Burning Man in Nevada, USA.
Roy has published widely on the use of live projects to bridge the divide between higher education and the world of work. More recently, Roy has turned towards creative talent development and community engagement as an important strand of his work. Alongside this, he continues to grow as a creative practice researcher, the development of community-driven, immersive, audio-visual art projects. He has delivered a number of Arts Council England funded immersive experiences in his hometown of Portsmouth including Cursed City Dark Tide (2019) and Octopuses & Other Sea Creatures (2022) and is currently developing a new project, Rituals for Earthly Survival for delivery in 2023.
PhD, The problem of projects: reconceptualising the use of Project-based learning in Media Practice Education, University of Portsmouth
2014 → 2020
Award Date: 24 Jan 2020
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Research output: Contribution to journal › Article › peer-review
Research output: Contribution to journal › Book/Film/Article review › peer-review