Chris Anderton, Associate Professor

Dr, Associate Professor, Dr

20062020
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Research Output 2006 2020

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2019

Clutching at straws? Progressive Rock Revivals of the 1980s and 1990s

Anderton, C., 5 May 2019, (Submitted) Oxford Handbook of Progressive Rock. Hill, S. & Moore, A. (eds.). Oxford University Press

Research output: Chapter in Book/Report/Published conference proceedingChapter

Music Festival Capitalism

Anderton, C., 2019, (In preparation) Oxford Handbook of Global Popular Music . Kreuger Bridge, S. (ed.). Oxford University Press

Research output: Chapter in Book/Report/Published conference proceedingChapter

Re-evaluating the ‘death of progressive rock’: Critical reception and journalistic narratives in the British weekly music press of the early- to mid-1970s

Anderton, C., 2019, (In preparation) Media Narratives in Popular Music. Anderton, C. & James, M. (eds.). Bloomsbury Academic

Research output: Chapter in Book/Report/Published conference proceedingChapter

1970s
Rock
Critical Reception
British music
Punk Rock
2018

Music festivals, space and place

Anderton, C., Jun 2018, (Submitted) The Bloomsbury Handbook of Popular Music and Place. Stahl, G. & Percival, M. (eds.). UK: Bloomsbury Publishing

Research output: Chapter in Book/Report/Published conference proceedingChapter

Youth, Music and Festivals

Anderton, C., Jul 2018, (Submitted) Bloomsbury Handbook of Popular Music and Youth Culture. Bennett, A. (ed.). Bloomsbury Publishing

Research output: Chapter in Book/Report/Published conference proceedingChapter

2016

Fire in Harmony: the 1980s UK British progressive rock revival

Anderton, C., 2016, Prog Rock in Europe. Overview of a Persistent Musical Style. Gonin, P. (ed.). Dijon: Editions Universitaires de Dijon, p. 151-164

Research output: Chapter in Book/Report/Published conference proceedingChapter

1970s
Rock
1980s
Harmony
Revival

Musikfestivals als >>zyklische Orte<<: Fairport’s Cropredy Convention

Translated title of the contribution: Music Festivals as 'Cyclic Places': Fairport's Cropredy ConventionAnderton, C., 2016, Draußen: Zum neuen Naturbezug in der Popkultur der Gegenwart. Springer, J. & Doren, T. (eds.). Transcript-Verlag, p. 119-138

Research output: Chapter in Book/Report/Published conference proceedingChapter

2015

Branding, sponsorship and the music festival

Anderton, C., 2015, The Pop Festival: History, Music, Media, Culture. McKay, G. (ed.). New York and London: Bloomsbury Publishing, p. 199-212

Research output: Chapter in Book/Report/Published conference proceedingChapter

Branding
Music
Sponsorship
Sponsor
Activation
2009

‘Full-grown from the head of Jupiter’? Lay discourses and Italian progressive rock

Anderton, C., 2009, De-Canonizing Music History. Kurkela, V. & Vakeva, L. (eds.). Cambridge: Cambridge Scientific Publishers Ltd, p. 97-112

Research output: Chapter in Book/Report/Published conference proceedingChapter

Jupiter
rock
history
2006

Beating the bootleggers: fan creativity, ‘lossless’ audio trading, and commercial opportunities

Anderton, C., 2006, Cybersounds. Essays on Virtual Music Culture. Ayers, M. (ed.). New York: Peter Lang Publishing Group, p. 161-184

Research output: Chapter in Book/Report/Published conference proceedingChapter

Creativity
Music
Traders
Commodification
Artist