Chris Anderton, Associate Professor

Dr, Associate Professor, Dr

20062020
If you made any changes in Pure these will be visible here soon.

Research Output 2006 2020

2020

Book Review: Henry Cow: The World is a Problem, by Benjamin Piekut, Duke University Press

Anderton, C., Jan 2020, (Submitted) IASPM Journal.

Research output: Contribution to specialist publicationEditorial

2019

Clutching at straws? Progressive Rock Revivals of the 1980s and 1990s

Anderton, C., 5 May 2019, (Submitted) Oxford Handbook of Progressive Rock. Hill, S. & Moore, A. (eds.). Oxford University Press

Research output: Chapter in Book/Report/Published conference proceedingChapter

Open Access
film festival
festival
music
event
love

Introduction to the Special Issue on Progressive Rock

Anderton, C., Aug 2019, In : Rock Music Studies. 7, 1

Research output: Contribution to journalArticle

Open Access

Just For the Fun of it? Contemporary Strategies for Making, Distributing and Gifting Music

Anderton, C., Mar 2019, Contemporary Popular Music Studies: Proceedings of the International Association for the Study of Popular Music 2017. Medic, I. & Dumnic, M. (eds.). Springer Berlin, p. 269-277

Research output: Chapter in Book/Report/Published conference proceedingConference contribution

Fun
Music
Musicians
World Wide Web
Economics

Media Narratives in Popular Music (under contract)

Anderton, C. (ed.) & James, M. (ed.), 2019, (In preparation) Bloomsbury Academic.

Research output: Book/ReportAnthology

music
narrative
history
popular press
genre

Music Festival Capitalism

Anderton, C., 2019, (In preparation) Oxford Handbook of Global Popular Music . Kreuger Bridge, S. (ed.). Oxford University Press

Research output: Chapter in Book/Report/Published conference proceedingChapter

Music Festivals in the UK

Anderton, C., 2019, New York and London: Routledge. 197 p.

Research output: Book/ReportBook

Music
Attendance
Corporatization
Professionalization
Branding

Re-evaluating the ‘death of progressive rock’: Critical reception and journalistic narratives in the British weekly music press of the early- to mid-1970s

Anderton, C., 2019, (In preparation) Media Narratives in Popular Music. Anderton, C. & James, M. (eds.). Bloomsbury Academic

Research output: Chapter in Book/Report/Published conference proceedingChapter

1970s
Rock
Critical Reception
British music
Punk Rock

Researching Live Music: Gigs, Tours, Concerts and Festivals

Anderton, C. (ed.) & Pisfil, S. (ed.), 2019, (In preparation) Routledge.

Research output: Book/ReportAnthology

Music
Anthology
Gigs
Concert

Risky Business: The Volatility and Failure of Outdoor Music Festivals in the UK

Anderton, C., Feb 2019, 8 p. livemusicexchange.org : Live Music Exchange.

Research output: Other contribution

Open Access
Music
Factors

The absent presence of progressive rock in the British music press, 1968-1974

Anderton, C. & Atton, C., 7 Aug 2019, In : Rock Music Studies. 7, 1, p. 1-15 15 p.

Research output: Contribution to journalArticle

Rock
Music
1960s
British music
Value Judgements
2018

Festival Spaces / Festival Places: Ephemerality, Continuity and a Sense of Place

Anderton, C., Dec 2018, Burning Man and Transformational Event Cultures ​Symposium.

Research output: Chapter in Book/Report/Published conference proceedingConference contribution

Open Access
Music Festival
Continuity
Sense of Place
Organizer
Ephemerality

Music festivals, space and place

Anderton, C., Jun 2018, (Submitted) The Bloomsbury Handbook of Popular Music and Place. Stahl, G. & Percival, M. (eds.). UK: Bloomsbury Publishing

Research output: Chapter in Book/Report/Published conference proceedingChapter

Youth, Music and Festivals

Anderton, C., Jul 2018, (Submitted) Bloomsbury Handbook of Popular Music and Youth Culture. Bennett, A. (ed.). Bloomsbury Publishing

Research output: Chapter in Book/Report/Published conference proceedingChapter

2016

Fire in Harmony: the 1980s UK British progressive rock revival

Anderton, C., 2016, Prog Rock in Europe. Overview of a Persistent Musical Style. Gonin, P. (ed.). Dijon: Editions Universitaires de Dijon, p. 151-164

Research output: Chapter in Book/Report/Published conference proceedingChapter

1970s
Rock
1980s
Harmony
Revival

Musikfestivals als >>zyklische Orte<<: Fairport’s Cropredy Convention

Translated title of the contribution: Music Festivals as 'Cyclic Places': Fairport's Cropredy ConventionAnderton, C., 2016, Draußen: Zum neuen Naturbezug in der Popkultur der Gegenwart. Springer, J. & Doren, T. (eds.). Transcript-Verlag, p. 119-138

Research output: Chapter in Book/Report/Published conference proceedingChapter

Sonic artefacts: ‘record collecting’ in the digital age

Anderton, C., 2016, In : IASPM Journal. 6, 1, p. 85-113

Research output: Contribution to journalArticle

Open Access
Digital Age
Artifact
Music
Music Performance
File
2015

Branding, sponsorship and the music festival

Anderton, C., 2015, The Pop Festival: History, Music, Media, Culture. McKay, G. (ed.). New York and London: Bloomsbury Publishing, p. 199-212

Research output: Chapter in Book/Report/Published conference proceedingChapter

Branding
Music
Sponsorship
Sponsor
Activation
2013

Portfolio careers

Anderton, C., 2013, The 360 Deal.

Research output: Contribution to specialist publicationEditorial

Understanding the Music Industries

Anderton, C., Dubber, A. & James, M., 2013, SAGE Publications Ltd.

Research output: Book/ReportBook

Music Industry
Music
Reader
World Wide Web
Innovation
2011

Music Festival Sponsorship: Between Commerce and Carnival

Anderton, C., 2011, In : Arts Marketing: an International Journal. 1, 2, p. 145-158

Research output: Contribution to journalArticle

Open Access
Music Festival
Commerce
Carnival
Sponsorship
Pop Music
2010

A many-headed beast: progressive rock as European meta-genre

Anderton, C., 2010, In : Popular Music. 29, 3, p. 417-436

Research output: Contribution to journalArticle

Open Access
subculture
genre
music
rock music
Romanticism
2009

‘Full-grown from the head of Jupiter’? Lay discourses and Italian progressive rock

Anderton, C., 2009, De-Canonizing Music History. Kurkela, V. & Vakeva, L. (eds.). Cambridge: Cambridge Scientific Publishers Ltd, p. 97-112

Research output: Chapter in Book/Report/Published conference proceedingChapter

Jupiter
rock
history
2008

Commercializing the carnivalesque: the V Festival and image/risk management

Anderton, C., 2008, In : Event Management. 12, 1, p. 39-51

Research output: Contribution to journalArticle

Open Access
festival
music
risk management
Risk management
rock
2006

Beating the bootleggers: fan creativity, ‘lossless’ audio trading, and commercial opportunities

Anderton, C., 2006, Cybersounds. Essays on Virtual Music Culture. Ayers, M. (ed.). New York: Peter Lang Publishing Group, p. 161-184

Research output: Chapter in Book/Report/Published conference proceedingChapter

Creativity
Music
Traders
Commodification
Artist