Research output per year
Research output per year
- 1 - 50 out of 54 results
Search results
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2024
(Going) for the one: Progressive rock fandom as mea cultura
Anderton, C. & Goodge, P., 10 May 2024, In: Rock Music Studies. 11, 1, p. 1-15 15 p.Research output: Contribution to journal › Article › peer-review
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Cross-pollinations: progressive rock and science fiction
Anderton, C., 4 Jul 2024, (Accepted/In press) The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination. Anderton, C. & Burns, L. (eds.). RoutledgeResearch output: Chapter in Book/Report/Published conference proceeding › Chapter › peer-review
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Introduction: reflections on the literary imagination in progressive rock and metal
Anderton, C. & Burns, L., 4 Jul 2024, (Accepted/In press) The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination. RoutledgeResearch output: Chapter in Book/Report/Published conference proceeding › Chapter
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Pressing reset: reimagining performer and songwriter revenues in the contemporary music industry
Anderton, C. & Hannam, J., 13 Feb 2024, (Accepted/In press) The Palgrave handbook of critical music industry studies. Nolan, R. & Arditi, D. (eds.). Palgrave Macmillan Ltd.Research output: Chapter in Book/Report/Published conference proceeding › Chapter
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Reconfiguring genre, style, and idiolect: investigating progressive rock’s meta-genre and affordances
Anderton, C., 16 Jul 2024, In: Popular Music and Society. p. 1-17 17 p.Research output: Contribution to journal › Article › peer-review
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The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination
Anderton, C. (Editor) & Burns, L. (Editor), 4 Jul 2024, (Accepted/In press) Routledge.Research output: Book/Report › Book
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2023
Music festival experience: cyclic place and cyclic sociality
Anderton, C., 20 Sept 2023, Popular music climates: Proceedings from the XXI Biennial Conference of IASPM, Daegu, South Korea, 5th – 9th July 2022. Kärki, K. (ed.). International Institute for Popular Culture, Vol. 9. p. 4-8 5 p.Research output: Chapter in Book/Report/Published conference proceeding › Conference contribution › peer-review
Open AccessFile107 Downloads (Pure) -
2022
Festivals
Anderton, C., 10 Feb 2022, The Bloomsbury Handbook of Popular Music, Space and Place. Stahl, G. & Percival, M. (eds.). UK: Bloomsbury PublishingResearch output: Chapter in Book/Report/Published conference proceeding › Chapter
Open AccessFile870 Downloads (Pure) -
From Woodstock to Glastonbury to the Isle of Wight: the role of festival films in the construction of the countercultural carnivalesque
Anderton, C., 5 Sept 2022, Woodstock University. Lovesey, O. (ed.). RoutledgeResearch output: Chapter in Book/Report/Published conference proceeding › Chapter
Open AccessFile34 Downloads (Pure) -
Introduction: Media Narratives and Music Histories
Anderton, C. & James, M., 13 Jan 2022, Media Narratives in Popular Music. Anderton, C. & James, M. (eds.). Bloomsbury AcademicResearch output: Chapter in Book/Report/Published conference proceeding › Chapter
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Media Narratives in Popular Music
Anderton, C. (Editor) & James, M. (Editor), 13 Jan 2022, Bloomsbury Academic. 256 p.Research output: Book/Report › Book › peer-review
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Musical festivals and youth
Anderton, C., 15 Dec 2022, Bloomsbury Handbook of Popular Music and Youth Culture. Bennett, A. (ed.). 1 ed. Bloomsbury PublishingResearch output: Chapter in Book/Report/Published conference proceeding › Chapter › peer-review
Open AccessFile316 Downloads (Pure) -
Music Management, Marketing and PR
Anderton, C., Hannam, J. & Hopkins, J., 1 Mar 2022, London: SAGE Publications Ltd. 240 p.Research output: Book/Report › Book › peer-review
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“Exiles in Madison Square Garden”: Critical Reception and Journalistic Narratives of Progressive Rock in Melody Maker Magazine, 1971–1976
Anderton, C., 13 Jan 2022, Media Narratives in Popular Music. Anderton, C. & James, M. (eds.). Bloomsbury AcademicResearch output: Chapter in Book/Report/Published conference proceeding › Chapter › peer-review
Open AccessFile102 Downloads (Pure) -
2021
Disruption and Continuity: Covid-19, Live Music, and Cyclic Sociality
Anderton, C., 18 Nov 2021, Researching Live Music: Gigs, Tours, Concerts and Festivals. Anderton, C. & Pisfil, S. (eds.). Routledge, p. 68-83 17 p.Research output: Chapter in Book/Report/Published conference proceeding › Chapter › peer-review
Open AccessFile205 Downloads (Pure) -
Introduction to the special issue: contemporary issues in live music: [to a guest edited special issue of the journal Arts & the Market]
Anderton, C. & Pisfil, S., 1 Sept 2021, Arts and the Market, 11, 2, p. 5-7 3 p.Research output: Contribution to specialist publication › Editorial
Open AccessFile226 Downloads (Pure) -
Live Music Studies in Perspective
Anderton, C. & Pisfil, S., 18 Nov 2021, Researching Live Music: Gigs, Tours, Concerts and Festivals. Anderton, C. & Pisfil, S. (eds.). Routledge, p. 1-16Research output: Chapter in Book/Report/Published conference proceeding › Chapter
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Music Festival Capitalism
Anderton, C., 10 Feb 2021, The Oxford Handbook of Global Popular Music. Krüger Bridge, S. (ed.). Oxford University Press, (The Oxford Handbook of Global Popular Music).Research output: Chapter in Book/Report/Published conference proceeding › Chapter › peer-review
File709 Downloads (Pure) -
Researching Live Music: Gigs, Tours, Concerts and Festivals
Anderton, C. (Editor) & Pisfil, S. (Editor), 18 Nov 2021, London: Routledge. 272 p.Research output: Book/Report › Book › peer-review
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2020
Book Review: Half a Million Strong: Crowds and Power from Woodstock to Coachella, by Gina Arnold (University of Iowa Press).
Anderton, C., 30 Nov 2020, In: Journal of Popular Music Studies. 32, 4, p. 166-168 3 p.Research output: Contribution to journal › Book/Film/Article review
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Book Review: Henry Cow: The World is a Problem, by Benjamin Piekut, Duke University Press
Anderton, C., 20 Nov 2020, In: IASPM Journal. 10, 1, p. 99-101Research output: Contribution to journal › Book/Film/Article review
Open Access -
2019
Clutching at straws? Progressive Rock Revivals of the 1980s and 1990s
Anderton, C., 5 May 2019, (Submitted) Oxford Handbook of Progressive Rock. Hill, S. & Moore, A. (eds.). Oxford University PressResearch output: Chapter in Book/Report/Published conference proceeding › Chapter
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From Woodstock to Glastonbury to the Isle of Wight: The role of festival films in the construction of the countercultural carnivalesque
Anderton, C., 18 Nov 2019, (E-pub ahead of print) In: Popular Music and Society. 43, 2, p. 201-215Research output: Contribution to journal › Article › peer-review
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Introduction to the Special Issue on Progressive Rock
Anderton, C., 5 Aug 2019, In: Rock Music Studies. 7, 1, p. 1-7 7 p.Research output: Contribution to journal › Article
Open AccessFile202 Downloads (Pure) -
Just For the Fun of it? Contemporary Strategies for Making, Distributing and Gifting Music
Anderton, C., Mar 2019, Contemporary Popular Music Studies: Proceedings of the International Association for the Study of Popular Music 2017. Medic, I. & Dumnic, M. (eds.). Springer Berlin, p. 269-277Research output: Chapter in Book/Report/Published conference proceeding › Conference contribution
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Risky Business: The Volatility and Failure of Outdoor Music Festivals in the UK
Anderton, C., Feb 2019, 8 p. livemusicexchange.org : Live Music Exchange.Research output: Other contribution
Open Access -
The absent presence of progressive rock in the British music press, 1968-1974
Anderton, C. & Atton, C., 7 Aug 2019, In: Rock Music Studies. 7, 1, p. 8-22Research output: Contribution to journal › Article › peer-review
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2018
Festival Spaces / Festival Places: Ephemerality, Continuity and a Sense of Place
Anderton, C., Dec 2018, Burning Man and Transformational Event Cultures Symposium.Research output: Chapter in Book/Report/Published conference proceeding › Conference contribution
Open Access -
Music Festivals in the UK: Beyond the Carnivalesque
Anderton, C., 2 Aug 2018, New York: Routledge. 210 p. (Ashgate Popular and Folk Music Series)Research output: Book/Report › Book › peer-review
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2016
Fire in Harmony: the 1980s UK British progressive rock revival
Anderton, C., 2016, Prog Rock in Europe: Overview of a Persistent Musical Style. Gonin, P. (ed.). Dijon: Editions Universitaires de Dijon, p. 151-164Research output: Chapter in Book/Report/Published conference proceeding › Chapter › peer-review
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Musikfestivals als "zyklische Orte": Fairport's Cropredy Convention
Anderton, C., 2016, Draußen: Zum neuen Naturbezug in der Popkultur der Gegenwart. Springer, J. & Doren, T. (eds.). Germany: Transcript-Verlag, p. 119-138 20 p.Research output: Chapter in Book/Report/Published conference proceeding › Chapter › peer-review
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Progressive rock fandom: Creating, curating and archiving through blogs and bootlegs
Anderton, C., 1 May 2016.Research output: Published contribution to conference › Paper › peer-review
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Sonic artefacts: ‘record collecting’ in the digital age
Anderton, C., Nov 2016, In: IASPM Journal. 6, 1, p. 85-113Research output: Contribution to journal › Article › peer-review
Open Access -
2015
Branding, sponsorship and the music festival
Anderton, C., 2015, The Pop Festival: History, Music, Media, Culture. McKay, G. (ed.). New York and London: Bloomsbury Publishing, p. 199-212Research output: Chapter in Book/Report/Published conference proceeding › Chapter › peer-review
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Branding and sponsorship at music festivals
Anderton, C., 1 May 2015, Festival Cultures: Media, Music, Place, 22 May 2015, University of East Anglia.Research output: Chapter in Book/Report/Published conference proceeding › Conference contribution › peer-review
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Curating, collecting and archiving: Fan labour and the conflicts of copyright
Anderton, C., 1 Apr 2015, Popular Music Fandom Conference, 10 April 2015, University of Chester..Research output: Chapter in Book/Report/Published conference proceeding › Conference contribution › peer-review
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Seven years of SMILEfest: a case study in innovation, collaboration and enterprise
Anderton, C. & James, M., 1 Mar 2015, 4th Solent Learning and Teaching Community Conference, 31 March 2015, Southampton Solent University..Research output: Chapter in Book/Report/Published conference proceeding › Conference contribution › peer-review
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The branded landscapes of music festivals in the UK: Sponsorship, ideology and the rural
Anderton, C., 1 Sept 2015, RGS-IBG Annual International Conference , 1-4 September 2015, University of Exeter..Research output: Chapter in Book/Report/Published conference proceeding › Conference contribution › peer-review
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2014
Fire in harmony: the rise and fall of the 1980s UK progressive revival
Anderton, C., 1 Dec 2014, First International Conference of the ACADPROG Network, 10-12 December 2014, Université de Bourgogne, Dijon.Research output: Chapter in Book/Report/Published conference proceeding › Conference contribution › peer-review
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Pseudo- record Labels: Creative fandom and networks of distribution
Anderton, C., 1 Nov 2014, One Century of Record Labels – mapping place, stories and communities of sound, 6-7 November 2014, Newcastle University..Research output: Chapter in Book/Report/Published conference proceeding › Conference contribution › peer-review
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2013
Portfolio careers
Anderton, C., 2013, The 360 Deal.Research output: Contribution to specialist publication › Editorial
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2012
Understanding the Music Industries
Anderton, C., Dubber, A. & James, M., Dec 2012, SAGE Publications Ltd.Research output: Book/Report › Book › peer-review
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2011
Between Commerce and Carnival: Corporate Sponsorship and the Outdoor Music Festival Sector
Anderton, C., 1 Apr 2011, The Business of Live Music, 31st March - 2nd April 2011, University of Edinburgh.Research output: Chapter in Book/Report/Published conference proceeding › Conference contribution › peer-review
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Music Festival Sponsorship: Between Commerce and Carnival
Anderton, C., 2011, In: Arts Marketing: an International Journal. 1, 2, p. 145-158Research output: Contribution to journal › Article › peer-review
Open Access -
2010
A many-headed beast: progressive rock as European meta-genre
Anderton, C., 2010, In: Popular Music. 29, 3, p. 417-436Research output: Contribution to journal › Article › peer-review
Open Access -
Early European Contributions to the Progressive Rock Meta-Genre: Krautrock and Rock Progressivo Italiano
Anderton, C., 2010, Annual International Conference of the Royal Geographical Society with the Institute of British Geographers, September 2010, Royal Geographical Society, London..Research output: Chapter in Book/Report/Published conference proceeding › Conference contribution › peer-review
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Reconsidering the "symphonic orthodoxy": progressive rock's formative years in Europe
Anderton, C., 2010, Biennial conference of the International Association for the Study of Popular Music - UK & Ireland branch, September 2010, Cardiff University..Research output: Chapter in Book/Report/Published conference proceeding › Conference contribution › peer-review
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2009
Rethinking "progression": progressive rock since the late 1970s
Anderton, C., 2009, 15th International Biennial conference of the International Society for the Study of Popular Music, July 2009, University of Liverpool..Research output: Chapter in Book/Report/Published conference proceeding › Conference contribution › peer-review
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‘Full-grown from the head of Jupiter’? Lay discourses and Italian progressive rock
Anderton, C., 11 Nov 2009, De-Canonizing Music History. Kurkela, V. & Vakeva, L. (eds.). Cambridge: Cambridge Scholars Publishing, p. 97-112Research output: Chapter in Book/Report/Published conference proceeding › Chapter › peer-review
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2008
A Weekend in the Country: Fairport's Cropredy Convention, the Rural Idyll, and Englishness
Anderton, C., 2008, Biennial conference of the International Association for the Study of Popular Music UK & Ireland Branch, September 2008, University of Glasgow..Research output: Chapter in Book/Report/Published conference proceeding › Conference contribution › peer-review