Chris Anderton, Associate Professor

Dr, Associate Professor, Dr

20062019
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Personal profile

Research interests

Music industry

Music festivals

Music marketing

Popular music history

Progressive rock

Electronic music

Events management

Live music

Arts marketing

Cultural geography

Cultural studies

Media studies

Copyright and intellectual property

Social media

Education/Academic qualification

PhD

20022007

Master, University of Liverpool

20012002

Bachelor, Swansea University

19982001

External positions

Member, Music Managers Forum

Oct 2018 → …

Member, Authors' Licensing and Collecting Society

Fellow, Higher Education Academy

Member, International Association for the Study of Popular Music

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Research Output 2006 2019

Clutching at straws? Progressive Rock Revivals of the 1980s and 1990s

Anderton, C., 5 May 2019, (Submitted) Oxford Handbook of Progressive Rock. Hill, S. & Moore, A. (eds.). Oxford University Press

Research output: Chapter in Book/Report/Published conference proceedingChapter

Open Access
film festival
festival
music
event
love

Introduction to the Special Issue on Progressive Rock

Anderton, C., Aug 2019, In : Rock Music Studies. 7, 1

Research output: Contribution to journalArticle

Open Access

Just For the Fun of it? Contemporary Strategies for Making, Distributing and Gifting Music

Anderton, C., Mar 2019, Contemporary Popular Music Studies: Proceedings of the International Association for the Study of Popular Music 2017. Medic, I. & Dumnic, M. (eds.). Springer Berlin, p. 269-277

Research output: Chapter in Book/Report/Published conference proceedingConference contribution

Fun
Music
Musicians
World Wide Web
Economics

Media Narratives in Popular Music (under contract)

Anderton, C. (ed.) & James, M. (ed.), 2019, (In preparation) Bloomsbury Academic.

Research output: Book/ReportAnthology

music
narrative
history
popular press
genre