Research output per year
Research output per year
Personal profile
Research interests
Music industry
Music festivals
Music marketing
Popular music history
Progressive rock
Electronic music
Events management
Live music
Arts marketing
Cultural geography
Cultural studies
Media studies
Copyright and intellectual property
Social media
Education/Academic qualification
PhD
2002 → 2007
Master, University of Liverpool
2001 → 2002
Bachelor, Swansea University
1998 → 2001
External positions
Member, Music Managers Forum
Oct 2018 → …Member, Authors' Licensing and Collecting Society
Fellow, Higher Education Academy
Member, International Association for the Study of Popular Music
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Research output
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Introduction: [to a guest edited special issue of the journal Arts & the Market]
Anderton, C. & Pisfil, S., 24 May 2021, (Accepted/In press) Arts and the Market 7 p.Research output: Contribution to specialist publication › Editorial
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Introduction: Media Narratives and Music Histories
Anderton, C. & James, M., 24 May 2021, (Accepted/In press) Media Narratives in Popular Music . Bloomsbury AcademicResearch output: Chapter in Book/Report/Published conference proceeding › Chapter
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Live Music Studies in Perspective
Anderton, C. & Pisfil, S., 21 May 2021, (Accepted/In press) Researching Live Music: Gigs, Tours, Concerts and Festivals. RoutledgeResearch output: Chapter in Book/Report/Published conference proceeding › Chapter
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Media Narratives in Popular Music
Anderton, C. (ed.) & James, M. (ed.), 24 May 2021, (Accepted/In press) Bloomsbury Academic.Research output: Book/Report › Anthology › peer-review
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Music Festival Capitalism
Anderton, C., 10 Feb 2021, The Oxford Handbook of Global Popular Music. Krüger Bridge, S. (ed.). Oxford University PressResearch output: Chapter in Book/Report/Published conference proceeding › Chapter › peer-review
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